Bach Bibliography
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1. Bach's tempo practices: tempo changes. [p]BICB_Manchester Jul 2004
2. When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. [p]BICB_Manchester Jul 2004
3. J.S. Bach and the tradition of the moto contrario. [p]BICB_Manchester Jul 2004
4. 'Seuffzen und Thränen': of sighs and tears in Bach's vocal works. [p]BICB_Manchester Jul 2004
5. BWV 245/12b: a practical issue with compositional implications. [p]BICB_Manchester Jul 2004
6. Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester Jul 2004
7. Mendelssohn and early nineteenth-century Bach reception. [p]BICB_Manchester Jul 2004
8. Theological Bach Studies: towards a working bibliography. [p]BICB_Manchester Jul 2004
9. Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester Jul 2004
10. New Bach documents from central German archives. [p]BICB_Manchester Jul 2004
11. Singet dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. [p]BICB_Manchester Jul 2004
12. Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester Jul 2004
13. Archival research and the identification of copyists [p]BICB_Manchester Jul 2004
14. Diffusion and circulation of the 18th-century Italian opera between Gorizia, Trieste and Graz. [p]BICB_Manchester Jul 2004
15. Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. [p]BICB_Manchester Jul 2004
16. Vivaldi's Crucifixus in its descriptive and rhetorical context. [p]BICB_Manchester Jul 2004
17. J. S. Bach, the Baroque and pietism in Leipzig in the 1720s and 1730s. [p]BICB_Manchester Jul 2004
18. Bach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? [p]BICB_Manchester Jul 2004
19. The Bach-Archiv and source-critical research: an introduction. [p]BICB_Manchester Jul 2004

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